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With his beloved Hammond organ, inexhaustible talent, and a rich range of influences including Jamaican sounds, soul, and funk, Mittoo created a fresh, soulful, warm, and groovy sound that would burst forth in his incredible dance tracks and has made him a cult artist among fans of Jamaican music, soul, and funk. 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Driven by the global success of the title track, a genre-defining hit, the album delivers a lively mix of upbeat rhythms, playful melodies, and Millie’s unmistakable high-pitched vocals. With a blend of ska, pop, and R\u0026amp;B influences, it's a vibrant showcase of the sound that helped bring Jamaican music to international audiences. 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To say that every home had a copy of a 1000 Volts and many 2000 Volts of Holt might be an overstatement but it certainly felt that way, as all good radio stations and parties seemed to have these tracks on permanent rotation.’3000 Volts of Holt’ was the more roots-sounding of the three albums but still carried that sweetened string sound that set these recordings together.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eA1 Let's Get It While It's Hot\u003cbr\u003eA2 In The Springtime\u003cbr\u003eA3 Till I'm Gone\u003cbr\u003eA4 Let's Kiss And Say Goodbye\u003cbr\u003eA5 Winter World Of Love\u003c\/p\u003e\u003cp\u003e\u003cbr\u003eB1 Oh What A Day\u003cbr\u003eB2 Let's Do It Long\u003cbr\u003eB3 No Place Like Home\u003cbr\u003eB4 Ungrateful Lady\u003cbr\u003eB5 You'll Never Find Another Love Like Mine\u003c\/p\u003e","brand":"SHIVA","offers":[{"title":"Default Title","offer_id":55437477413191,"sku":null,"price":33.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0805\/0475\/0407\/files\/150c1a_b02a8769e6274170979135b50ee18869_mv2.jpg?v=1792088995"},{"product_id":"scientist-lp-rids-the-world-of-the-evil-curse-of-the-vampires","title":"SCIENTIST LP Rids the World of the Evil Curse of the Vampires","description":"\u003cp\u003eThe album \"Rids the World of the Curse of the Vampires\" (1981) perfectly showcases the multifaceted approach of the artist Scientist and is considered one of his finest works. Scientist keeps the excitement alive with abundant reverb and echo-treated percussion, ghostly piano parts, video game sound effects, and other unstable interjections from the mixing desk. The album expertly captures the spirit of Halloween through its introductions featuring diabolical voices, the collage of horror movie characters on the cover, and the extravagant claim in the liner notes that Scientist mixed the whole thing at midnight on a Friday the 13th. 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His pared-down mixing style suited the dancehall reggae sound that arrived in the early ’80s. This 1982 album includes the priceless dub of Johnny Osbourne’s classic “Give a Little Love,” as well as other cuts by the likes of Hugh Mundell and Wayne Jarrett. The Scientist is always in control!\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eENGLISH\u003c\/p\u003e\u003cp\u003eScientist’s name can be found all over any dub record collection; he was a protégé of King Tubby, and many would say that when dub fell on quieter times it was Scientist who breathed new life into it. His pared-down mixing style suited the dancehall reggae sound that arrived as the ’70s rolled into the ’80s. This 1982 album includes the priceless dub of Johnny Osbourne’s classic “Give a Little Love,” as well as further cuts of the likes of Hugh Mundell and Wayne Jarrett. 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Another deep dub album containing some wicked dub tracks, mixed at King Tubby’s studio and produced by Bunny Lee, this is a sure bet for dub music collectors. Other musicians on this album include Jackie Mittoo, Santa Davis, Earl China, and Smith Skully.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eENGLISH:\u003c\/p\u003e\u003cp\u003eMaster rhythm duo Sly and Robbie first met on the Jamaican club scene of the early 1970s, when both were playing clubs on Kingston’s Red Hills Road. Thye began working together at Channel One studio when Sly was drummer and arranger of The Revolutionaries and Robbie the bassists mainstay of Bunny Lee’s Aggrovators and soon became the most in-demand drum and bass team on the island. This obscure dub album, originally released on the Imperial label in Canada, was produced by Lee in the late 1970s, and has the Rhythm Twins trying their hands at updating classic rhythms such as “The Liquidator,” “Death In The Arena,” “It’s Raining,” “Love Me Forever” and “My Conversation,” as well as killer cuts of Johnnie Clarke’s “Roots Natty Congo,” Gregory Isaacs’ “Storm” and an odd “Legalize It” rendition, plus some wacky between-song interjections. 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For Clement Dodd, a black man and producer growing up in Kingston in this era, Rastafari was simply a part of his everyday world – from witnessing Count Ossie’s grounations to the faith of many Jamaican artists at Studio One – from the Skatalites onwards.\u003c\/p\u003e\u003cp\u003eFeatured here alongside these classic and rare tracks from Studio One are new and extensive sleeve notes with track-by-track notes by Rob Chapman, author of the acclaimed Downbeat Special and Never Grow Old Studio One books.\u003c\/p\u003e\u003cp\u003eThe album is released as double heavyweight gatefold vinyl (+ free download code)\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eA1 Horace Andy - Conscious Dreadlocks\u003cbr\u003eA2 The Gladiators - A Prayer To Thee\u003cbr\u003eA3 Freddie Mcgregor - Beat Down Babylon\u003cbr\u003eA4 The Manchesters - Selassie Bandman\u003c\/p\u003e\u003cp\u003e\u003cbr\u003eB1 The Mellodies - Dread Oppression\u003cbr\u003eB2 Big Joe - Jah Jah Help Us\u003cbr\u003eB3 Horace Andy - Oh Lord Why Lord\u003cbr\u003eB4 Lloyd Jones \u0026amp; The Super Natural Six - Get Up And Try\u003c\/p\u003e\u003cp\u003e\u003cbr\u003eC1 Wailing Souls - Can't Catch Me\u003cbr\u003eC2 The Nightingales - Jehovah\u003cbr\u003eC3 Alphonso Stewart - Its No Secret\u003cbr\u003eC4 Errol Dunkley - Satisfaction\u003cbr\u003eC5 Mr Manchester - Give Natty Dread Glory\u003c\/p\u003e\u003cp\u003e\u003cbr\u003eD1 Sugar Minott - Wrong Doers\u003cbr\u003eD2 Noel Campbell \u0026amp; The Gladiators Band - Sufferation\u003cbr\u003eD3 African Brothers - No Cup No Brock\u003cbr\u003eD4 Zoot Simms - When The Time Comes\u003cbr\u003eD5 Gen Miller - Whey No Dead\u003c\/p\u003e","brand":"SHIVA","offers":[{"title":"Default Title","offer_id":55437508739399,"sku":null,"price":43.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0805\/0475\/0407\/files\/150c1a_1a397bbc1e194c5db60699002fc97199_mv2.jpg?v=1792089230"},{"product_id":"various-2xlp-black-man-s-pride-2-righteous-are-the-sons-and-daughters-of-jah","title":"VARIOUS 2xLP Black Man’s Pride 2 (Righteous Are The Sons And Daughters Of Jah)","description":"\u003cp\u003eThis is the second installment of deep-roots Rastafarian reggae on Studio One and features classic music from some of the most important figures in reggae music: Alton Ellis; The Heptones; Jackie Mittoo; The Gladiators; along with a series of rarities and little-known recordings; such as the seven-inch single by Mystic Revelation of Rastafari, 'Mystic Revelation'; Willie William's first recording, 'Calling'; and Horace Andy's masterpiece (and equally rare track), 'Illiteracy'. 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The album tells the story of how the rise of Studio One Records and the Rastafari movement were interconnected, through the adoption of the Rastafari faith by key reggae artists – everyone from the Skatalites and Wailers in the 1960s, major singers such as Alton Ellis and Horace Andy at the end of the decade, through to major roots artists such as The Gladiators in the 1970s – and how Clement Dodd consistently recorded this heavyweight roots music throughout Studio One’s history.\u003c\/p\u003e\u003cp\u003e€p\u0026gt; \u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eThe extensive sleeve-notes to this album also discuss the links between Rastafari and Studio One in time and place, noting how both the religion and Clement Dodd’s musical empire had their roots in the intense period of pre-independence Jamaica in Kingston, expanded in the 1960s following the visit of Haile Selassie in 1966, and how roots music then came to dominate reggae music in the early 1970s. Also discussed is how the outsider stance of both reggae music and the Rastafari movement relate back many hundreds of years to the original rebel stance of the Maroons, escaped slaves who set up self-sufficient enclaves in the hills of the Jamaican countryside.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eA1 Horace Andy - Illiteracy 3:12\u003cbr\u003eA2 The Heptones Be A Man 2:20\u003cbr\u003eA3 The Manchesters - Natty Gone 2:33\u003cbr\u003eA4 The Gladiators - Down Town Rebel 3:35\u003cbr\u003eA5 Willie Williams - Calling 2:02\u003c\/p\u003e\u003cp\u003e\u003cbr\u003eB1 Roland Alphonso \u0026amp; Brentford All Stars - Sir D Special 6:25\u003cbr\u003eB2 Keith Wilson - God I God I Say 3:01\u003cbr\u003eB3 Alton Ellis - Almost Anything 6:41\u003c\/p\u003e\u003cp\u003e\u003cbr\u003eC1 Bobby Kalphat \u0026amp; The New Establishment - Adis A Wa Wa 3:01\u003cbr\u003eC2 Peter Broggs - Sing a New Song 4:13\u003cbr\u003eC3 Mystic Revelations Of Rastafari - Let Freedom Reign 3:36\u003cbr\u003eC4 Larry \u0026amp; Alvin - Free I Lord 2:27\u003cbr\u003eC5 Jackie Mittoo - Happy People 3:06\u003c\/p\u003e\u003cp\u003e\u003cbr\u003eD1 Ernest Wilson \u0026amp; The Sound Dimension - Freedom Fighter 8:32\u003cbr\u003eD2 Prince Lincoln - Daughters Of Zion 3:05\u003cbr\u003eD3 High Charles - Zion 3:05\u003cbr\u003eD4 Winston Jarrett - Love Jah Jah 2:39\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e","brand":"SHIVA","offers":[{"title":"Default Title","offer_id":55437508936007,"sku":null,"price":43.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0805\/0475\/0407\/files\/150c1a_19a1dc35ba7540ad90a6294454a8821a_mv2_d_1200_1200_s_2.jpg?v=1792089232"}],"url":"https:\/\/hcpunk.com\/en-us\/collections\/vinilos-ska-reggae.oembed?page=8","provider":"Música Autónoma","version":"1.0","type":"link"}